A friend recently contacted me about Don Fagerquist to ask for copyright permission to use the video that closes this piece in another context.
Have you ever heard a more beautiful sound on Jazz trumpet than Donnie's?
We wanted to remember him once again on these pages, and we thought that a re-posting of this earlier piece would serve that purpose, especially for those who are not familiar with Fagerquist's playing.
Have you ever heard a more beautiful sound on Jazz trumpet than Donnie's?
We wanted to remember him once again on these pages, and we thought that a re-posting of this earlier piece would serve that purpose, especially for those who are not familiar with Fagerquist's playing.
© - Steven A. Cerra, copyright protected; all
rights reserved.
One of the
musicians on the Left Coast
He had one of the
most beautiful sounds that I ever heard on trumpet; plus, he was one heckuva
swinger, which always caught me by surprise. Here’s this lyrical, pretty tone,
and the next thing you know the guy is poppin’ one terrific Jazz phrase after
another.
The trumpet seemed
to find him. His was one of the purest tones you will ever hear on the horn. In
Don Fagerquist, the instrument found one of its clearest forms of expression.
Don never seemed
to get outside of himself. He found big bands and combos to work in that both
complimented and complemented the way he approached playing the trumpet.
His tone was what
musicians referred to as “legit” [short for legitimate = the sound of an
instrument often associated with its form in Classical music].
No squeezing notes
through the horn, no half-valve fingering and no tricks or shortcuts. Even his
erect posture in playing the instrument was textbook.
If you had a child
who wished to play trumpet, Don would have been the perfect teacher for all
facets of playing the instrument.
He was clear, he
was clean and he was cool.
His sound had a
presence to it that just snapped your head around when you heard it; it made
you pay attention to it.
No shuckin’ or
jiving’, just the majesty of the trumpeter’s clarion call . When the Angel
Gabriel picked trumpet as his axe
[Jazz talk for instrument], he must have had Don’s tone in mind.
A few years ago,
Jordi Pujol, owner and operator of Fresh Sound Records which is based in Spain FSR 2212].
He included this
brief annotation of Don and his career on the CD’s tray plate:
“Don Fagerquist
[1927-1974] might have been one of the most underrated Jazz trumpets in history
despite countless recordings with Gene Krupa, Artie Shaw, Woody Herman, Les
Brown and Dave Pell
Although he was a Hollywood studio musician since 1956, over the years
Don maintained his contact with the Jazz scene, as the tracks on this CD will
show.
He had a unique
sound and a way of phrasing that immediately identified him, allowing us at
once to appreciate his playing. This CD is more than a collection of mood music
and Jazz tunes; it is a delightful warm and descriptive musical portrait of a
great Jazz artist.”
We have selected The Girl Next Door track from the Fresh
Sound anthology for the following video tribute to Don.
Russ Garcia did
the arrangement which has Don stating the melody as a ballad [0:00 – 1:07 minutes], then doubling the time [1:08 – 2:30 minutes] to allow Don to show off his Jazz
chops before restating the theme as a ballad [2:31 minutes]. You might want to especially
listen for the very clever ending in which Don plays a remarkably hip cadenza [3:16 minutes].
Jazz has had many
great trumpet stylists over its almost 100 year history, but I don’t think that
anyone has even played the horn prettier than Don Fagerquist.
