© -Steven
Cerra , copyright protected; all rights reserved.
While the
editorial staff prepares a more detailed feature on Tubbs and his music, we
thought we’d revisit “how it all began” by using his performance of Tin Tin Deo as the soundtrack to the
following video montage which salutes some of England ’s earlier Jazz record companies.
Recorded in London
in December, 1959 and subsequently issued on CD by Jasmine records as Tubby
Hayes – “The Eight Wonder” [JASCD 611], the idea, according to Tony
Hall who produced the date, “was to use pianist Terry Shannon, bassist Jeff
Clyne and drummer Phil Seamen in their primary role as an accompanying rhythm
section thus allowing Tubby to stretch out and just blow with no restrictions whatever
on the time.”
Richard Cook and
Brian Morton had this to say about Tubby’s efforts on “The Eight Wonder” [JASCD
611], in the Penguin Guide to Jazz on CD, 6th Ed.:
“The Eight Wonder gets top rating [4 stars]… it is perhaps
Hayes’ most eloquent showcase. It’s true that the virtuosity of Tin Tin Deo comes out of his horn all
too easily; almost as if it were a routine that he’d mastered without thinking,
but it’s hard not to enjoy the spectacle of … the tough-minded improvising.”
Hayes recorded
prolifically, but the quality of these recordings are uneven at best.
Cook and Morton
perhaps offer an explanation for this paradox when they observe:
“Tubby Hayes has
often been lionized as the greatest saxophonist Britain ever produced. He is a fascinating but
problematical player.
Having put
together a big, rumbustious tone and a delivery that features sixteenth notes
spilling impetuously out of the horn, Hayes often left a solo full of brilliant
loose ends and ingenious runs that led nowhere in particular.
Most of his
recordings, while highly entertaining as exhibitions of sustained energy, tend
to wobble on the axis of Hayes's creative impasse: having got this facility
together, he never seemed sure of what to do with it in the studio, which may
be why his studio records ultimately fall short of the masterpiece he never
came to make.”
While I agree in
the main with Cook and Morton’s assessment of Tubby’s frequently unrealized
potential due to what they describe as his “creative impasse,” there are no road
blocks or detours ahead in the solo he lays down on Tin Tin Deo.
See what you
think.
[Incidentally, for
those of you interested in such things, Tin
Tin Deo is in the minor with a Latin Jazz feel to all but the bridge. It is
of an unusual construction – 48 bars in length comprising two 16 bar sections,
a middle 8 in 4/4 time and a final 8 which reverts to the second 8 measures of
the 16 bar sections.]
Excellent pairing of music and image, as always!
ReplyDeleteThanks, Jim. It's nice to have the "Comments" section of the postings working again. I hope other visitors will follow suit and share their thoughts about these features.
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