© - Steven A. Cerra, copyright protected; all
rights reserved.
“We're very fortunate that
these broadcasts exist, especially when you consider the state of FM radio in
1957. FM was still somewhat a novelty
and programming was mostly classical music, easy listening and other
non-popular programming. As a matter of fact, most popular brands of radios
that were available at that time didn't even have an FM band.
AM was still king and would remain
so for another 20 plus years. Besides the fact that FM wasn't widely listened
to, this was a local broadcast that aired at 11:30 pm on Wednesday nights. It was a live
broadcast so the only way for these programs to survive was for someone to
record them off the air.
Luckily, we have two
collections at the Institute which include "off the air "recordings
from the program - the Charles French collection and the Bob Andrews
collection.
Between the two, we have 10
different Nightlife broadcasts from
the Lighthouse. The earliest is from
November 6, 1957 ,
and the last from March
5, 1958 , which was the final program in the
series.”
- Ken Poston, Director, Los Angeles Jazz
Institute
From its
beginnings in 1949 until the famed Jazz club in Hermosa Beach, CA went to a
visiting “name” group policy, the resident version of the Lighthouse Café
All-Stars [LHAS] generated a great deal of original music.
Bassist Howard
Rumsey, who led the All-Stars and served as the musical director for the club,
encouraged everyone in the band to write compositions.
For some, like
trumpeter Shorty Roger s and saxophonist and clarinetist Jimmy Giuffre, composing and
arranging was a continuation of what they had done previously as members of the
Stan Kenton and Woody Herman orchestras. Only the small group setting was
different.
For others, like
tenor saxophonist Bob Cooper, composing original music and arranging tunes from the
Great American Songbook was a new experience.
Bob took to it
like a duck takes to water. In the four
years or so that he was with the LHAS his output was prodigious. One could
almost go so far as to state that during his time on the band, Bob Cooper was
the sound of the All-Stars.
Today, the Los
Angeles Jazz Institute [LAJI] under the direction of Ken Poston, serves as the
repository for much of the music that was created over the years exclusively
for the LHAS.
It is sad that
this music hasn’t had a wider audience because much of it is on a par with the
music of Tadd Dameron, Horace Silver, Sonny Clark, Hank Mobley and a number of
other contemporaneous composers who predominantly worked in New York and therefore had a greater exposure to
the general Jazz-going public.
Recently, the LAJI
issued Howard Rumsey’s Lighthouse All-Stars: On The Air, 1957 as a
members-only, bonus CD.
The disc contains
16 tracks of music and commercials from FM radio station KMLA’s regular,
Wednesday night broadcasts from the Lighthouse Café.
You can located
more information about the LAJI and the CD by going here.
All of the music
on Howard
Rumsey’s Lighthouse All-Stars: On The Air, 1957 is either composed or
arranged by Bob Cooper.
Here are two
audio-only examples from the CD that demonstrate Bob Cooper’s artistry [November
20, 1957 KMLA FM
radio broadcast]. It is a shame that his
music has not had more exposure over the years.
And here’s a video
tribute to Howard and the Lighthouse All-Stars which is set to Topsy from the December
18, 1957 KMLA FM
radio broadcast.
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