Karina Corradini - Bridges to Infinity

Here's another effort by the editorial staff at JazzProfiles to bring to your 
attention promotional materials "as is" which we receive periodically from services, in this case, Michael Bloom of Michael Bloom Media Relations, that offer media release and public relations announcements in an effort to help both them and the Jazz artists they represent get the word out, as it were.

Obviously, we will have to do this selectively as there is simply no way that we can logistically accommodate servicing all of the notifications about new music that we receive.

Additionally, formatting and bringing up this material on the blog takes time away from the site's main mission which is to develop and present - "Focused Profiles on Jazz and its Creators while also Featuring the Work of Guest Writers and Critics on the Subject of Jazz."

Hi Steve–
Hopefully you've received Karina Corradini's self-released debut CD, given a listen, and liked it.

The release date is April 19.

There's a lot to like, from upbeat standards to Brazilian bossa nova hits.

Bass-playing jazz great Christian McBride is an anchor throughout, in the studio (as producer) and with the band.

Let me know what you think of it - and please review.

Cheers,
Michael

Here's her informative EPK (about 12 minutes total, in two parts for easier viewing):

Part 1:

Part 2:

The official press release and bio:

Bridge To Infinity is the (self-released) recording debut of Karina Corradini, a talented and versatile singer equally skilled at straight ahead jazz, ballads, boleros and Latin American classics. Her beautiful tone, powerful voice, highly appealing jazz phrasing, ability to scat at even the fastest tempos, and warmth when caressing ballads make her one of the most promising singers on the jazz and Latin jazz scenes today.

Karina Corradini was born and raised in San Isidro, Argentina, one hour away from downtown Buenos Aires. She started out with conventional tastes in music, enjoying the Beatles and the Bee Gees before she discovered Brazilian music. “I started to pay attention to what was called ‘Tropicalismo’ and was crazy for Caetano Veloso, Gilberto Gil and Gal Costa. A bit later I discovered my all-time favorite, Elis Regina. I also really liked Nat King Cole, with his sweet American accent as he sang Latino tunes. When I was 15 years old, I met a group of young musicians who introduced me to jazz through Pat Metheny. I also listened to Paco de Lucia, John McLaughlin, and Al DiMeola and was very much into Egberto Gismonti and Lyle Mays as well. But then, after discovering the duets of Ella Fitzgerald and Louis Armstrong, I realized that that was the music I wanted to sing and if I only could sing a little like Ella, my purpose in life would be totally fulfilled.”

She began singing professionally when she was 18, leading her own jazz sextet, Karina Corradini and the Summer Band which performed at the beach, bars and restaurants during the summer. When the summer season ended, she sang on Corrientes Avenue in Buenos Aires, including a twice a week engagement for two years that often ended up as a jam session with veteran musicians. Karina worked at many venues (including the Teatro Coliseo, Jazz Club de la Plaza, the Thelonious Bar and Clasica y Moderna) and also twice toured Southern Brazil with her group. By the time she decided to move to the United States in 1999, she was among the busiest jazz singers in Buenos Aires. Even now, when she returns to Argentina on a yearly basis, she is always welcome to perform at the major jazz clubs.

“I moved to Los Angeles to learn Ella Fitzgerald’s language, and to study music in the land of jazz.” Karina attended Rhiannon’s workshop three times, seminars by Sheila Jordan, Mark Murphy and Kevin Mahogany, and studied at Los Angeles City College and El Camino College. After performing with a rhythm and blues band for a year, she formed her own jazz group and has since performed at a countless number of clubs, restaurants, concerts and festivals, mostly in Southern California.

The story behind the release of Bridge To Infinity includes a lot of highs and lows for the singer. “One of the first people who I mentioned my idea to was my dear friend Christian McBride. He not only got excited for me but also wanted to be part of the project!” The great bassist, who would be the album’s producer and main arranger, was not immediately available so Karina recorded six songs on a demo with pianist Mahesh Balasooriya, bassist Rene Camacho and drummer Marvin “Smitty” Smith. She used the arrangements of Eric Bulling who had been the writer for the Ella Fitzgerald album Ella Abraca Jobim. The results were so rewarding that those performances are included on the CD. When Corradini and McBride finally got together in the studio with tenor and alto saxophonist Zane Musa, trumpeter Nolan Shaheed, pianist Mahesh Balasooriya, drummer Marvin “Smitty” Smith, and percussionist Munyungo Jackson, the other nine songs were completed in two days. “It felt like a big party and was fun all of the time. All of those musicians are incredibly talented. But just as important to me, all of them have warmth, are non-judgmental, have an open minded vibe, and have a great deal of humanity.”

The wide-ranging program includes swinging standards (“You Turned The Tables On Me,” “Until I Met You,” and “Lover Come Back To Me”), boleros (“What A Difference A Day Makes” and “Tu Mi Delirio”), a tribute to Elis Regina (“Cai Dento”), bossa-novas (“Doralice” and “Voce E Eu”), and romantic ballads (“I Could Have Told You” and “If You Went Away”). Karina had one of her mentors, pianist Howlett “Smitty” Smith, guest on his original “When The Time Is Right,” and guitarist Barry Zweig is on two numbers including the uptempo “I’m Gonna Lock My Heart And Throw Away The Key.” Throughout the set, Karina’s singing is both inventive and beautiful while Zane Musa’s contributions consistently uplift the music.

Unforeseen developments and tragedies resulted in the release of Bridge To Infinity being stalled until now. Karina caught a serious fungus, Systemic Candidiasis, that resulted in her being ill for three years until, through research and the help of a nutritionist, she cured herself. In 2015 her close friend Zane Musa died in an accident. And Karina fell down a flight of stairs in Argentina, breaking a wrist and suffering from chronic pain syndrome for a year. Fortunately she is now fully recovered and quite active on the music scene.

“After all of that, 2018 is finally my year. I cannot believe that the project is finished and now everyone can hear it. I hope listeners really enjoy it. It is dedicated to the genius of Zane Musa.”

While Karina recorded a demo with the Tom Garvin Trio in 2001 (which made it possible for her to be hired for many jobs) and an unreleased CD in 2005 that included her good friend the late bassist Jorge Pasquali, Bridge To Infinity is her first recording released to the general public. Finally - listeners who live far beyond Southern California will get to appreciate her wonderful voice, musical talents and ability to make every song sound as if it was written for her.

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Michael Bloom Media Relations